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Big Finish Productions’ strong follow up to their own return to Collinsport. And you return to find some classic Dark Shadows hijinks and ensemble-based goodness! As we tackle 2006’s The Book of Temptation. Welcome back to Audi-O-Rama, dear readers.
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Now That’s What I Call Dark Shadows! Volume Two! Starring: David Selby, Lara Parker, Kathryn Leigh Scott, John Karlen, Daphne Ashbrook, and Andrew CollinsĪll Work and No SPOILERS AHEAD Make Jack a Dull Boy. As such, Beard delivers a vital history and voices that have yet to go silent. No other program has that cultural legend behind it… or the decades of mainstream horror that have resulted. But that ritual - running home from school to see and share the new episodes - created a bonding momentum that got us here today.
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It is to the show’s credit that so many did and still do… despite lacking a unifying ritual. Did the final episodes exist? How could we see them? Would MPI really finish? Once DVD and streaming settled that argument, the more honest question became, “Who would actually finish watching it all, now that it’s available?” Correction, the suspense was in whether or not we would actually see the series. Our work (at least prior to the Sci Fi Channel and the internet) has not been one of discovery but archaeology. For those of us born after that period, there’s been a subtle caste-system in DS fandom… maybe out of necessity. This narrative dominated the experience of growing up with Dark Shadows, and it finally has a definitive voice to give it shape in this book. Ask almost anyone who was born somewhen at the intersection of Eisenhower and Kennedy and you’ll hear the familiar nostalgia-cry of “I ran home from school every day to watch Dark Shadows….” Frid’s death) is what may be the final word on the subject from the first generation of fans, Jim Beard’s collection of various memoirs, Running Home to Shadows. It’s a title that needs little elaboration.
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If 2011-2021 was a decade of an uncomfortable detente between the original fans of the series and the Burtonians, the tenth anniversary of the Burton film (and Mr. A decade later, I had one collection of essays out and another on the way. At the time, my best idea was a stunt somewhere at the crossroads of Morgan Spurlock, Andy Kaufman and Evel Knievel… I sacrificed 45 days to watch the entire series, 10.5 hours a day, five to six days a week. I know that I felt like I needed to do something for the franchise to give back a little. For all of the angst that caused, I think it was more of a catalyst than curse. While the film attracted many brainy and iconoclastic new fans, it charmed few longtime supporters.
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What case? In 2011, Dark Shadows fans got the best news possible: a Tim Burton/Johnny Depp movie that would certainly catapult us from accusations of camp to accolades of genius. I’m beginning to suspect that mine is not an isolated case. Podcasting and desktop publishing are the two most notable examples.
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Why the revival? Is it even a revival? Perhaps it’s more of a testament to the momentum that’s been building for a decade.Ģ011-2021 is a ten year span of technological innovation that has put extraordinary tools in the hands of workin’ Joes like us to create quality products that rival the professional offerings we wish we’d had. Although the rights holders seemingly kept it quiet in 2021, we did not. The Rondo nominations are a testament to our passionate industry. At the same time, there was a wealth of independent Dark Shadows podcasting and authorship. We lost some marvelous actors, and the losses have cast the future of Dark Shadows festival into doubt with this author… certainly on the scale we saw in 2016. 2021 was an extraordinary year for Dark Shadows.